A well-designed task can create the conditions for historical thinking.
It cannot guarantee that students know what that thinking looks like in
practice.
Students learn what historical thinking looks like the way they learn
most things: by watching it happen, attempting a version of it
themselves, and doing it again with less help each time.
This page looks at two things that make that possible: the tasks we
create, and the way we model our own thinking in front of students. For
a closer look at how we assess that thinking once it is visible, see
the Assessment Triangle.
Historical thinking is not a set of steps to perform. It is what happens
when someone tries to make sense of evidence that does not explain
itself.
At the outset of their chapter on evidence in The Big Six Historical
Thinking Concepts, Peter Seixas and Tom Morton follow Keith Thor
Carlson, author of The Power of Place, the Problem of Time, as
he investigates a deceptively simple question: do the Stó:lō constitute
a single Indigenous nation, or are their identities more closely
connected to particular local communities? The question matters not
only for understanding Stó:lō history but also for understanding
political power, since it has implications for who could legitimately
represent Stó:lō communities in negotiations with the Canadian
government.
Carlson’s investigation begins with a small documentary trace. In an
1879 report, Joint Indian Reserve Commissioner Gilbert Malcolm Sproat
recorded that the Indigenous communities along the Fraser River wanted
to organize themselves into a single government, but cautioned that
they “must not be in too much a hurry.” On its own, the statement tells
us remarkably little — Sproat was recording a request and his response
to it, not attempting to explain the history of Stó:lō political
organization. As Seixas and Morton point out, this is characteristic of
many primary sources: traces left behind by the past, often the
accidental residue of everyday activity, rather than accounts
deliberately constructed to answer the questions historians later ask
of them.
Carlson begins to ask questions of the trace. Why did the Stó:lō want
to be represented by a single government? Why was Sproat reluctant to
support their request? The answers cannot be found directly in the
document, so Carlson looks elsewhere — and discovers a parallel
encounter between Sproat and the Nlaka’pamux farther up the Fraser
River, where Sproat supported a similar request for
political unity. The contrast puzzles him: why support unity in one
case and resist it in the other?
The sources alone are not enough. Carlson turns to context. Geography
and demography reveal that the Stó:lō occupied a region where several
settler communities were developing while the Stó:lō population
remained substantial — a real presence in a region colonial society
increasingly sought to control. More importantly, Carlson considers the
colonial worldview within which Sproat operated: colonial society
commonly viewed large, potentially unified Indigenous populations as a
threat. Placing Sproat’s words within this context lets Carlson propose
an interpretation: colonial society was not prepared to allow that much
concentrated political power to emerge in the hands of Indigenous
people.
Carlson does not accept this interpretation simply because it seems
plausible. He seeks corroborating evidence, and finds it: a
contemporary editorial in the Victoria Daily Standard warning
that Indigenous communities would be harder to control if bound
together politically or socially, and further documentation showing
officials in the Department of Indian Affairs held similar views. The
apparently minor statement by Sproat has become evidence for a larger
historical argument.
When I first encountered this narration of Carlson’s research process, I
had a simple reaction: I need to share this with my students.
It serves as a narrative hook in The Big Six — but it is also an
overlooked pedagogical tool in its own right, one that demonstrates the
halting, tentative nature of historical inquiry.
We do not watch Carlson move smoothly from source to context to
corroboration, as though historical thinking were a predictable sequence
of steps. Instead, we watch him encounter evidence that does not
immediately answer his question, recognize a contradiction, pursue a new
line of inquiry, develop a tentative interpretation, and then seek
additional evidence to see whether it holds up. Its strength moves beyond
making disciplinary heuristics like sourcing, contextualizing, and
corroboration visible — we also see why those practices become
necessary in the first place.
That distinction matters. Jay (2021) found that students exposed to
resources such as Reading Like a Historian did source and
contextualize more often than students in the past, but often applied
these moves mechanistically, with little effect on their actual
historical reasoning or epistemology. A student can learn to write “the
author was biased” under a sourcing heading without considering how that
should affect their interpretation. A student can identify what was
happening at the time without using that context to change or qualify
anything. A student can compare two documents simply because the
assignment says “corroborate,” without using one source to test what
another allows them to conclude. The problem is not that students were
taught the heuristics — it is that the heuristics can become detached
from the inquiry that gives them their purpose.
Sourcing, contextualization, and corroboration are not a checklist
historians mechanically apply to every source. Knowing that
contextualization matters does not reveal when a historian
recognizes context is needed, what aspects of it are relevant,
or how it changes an interpretation. Knowing that historians
corroborate does not reveal how they decide when additional evidence is
necessary, or how they weigh evidence that conflicts. The challenge is
not simply to teach students the moves, but to help them understand the
problems that make those moves necessary.
Carlson needs additional evidence because his first source does not
answer his question. He needs to contextualize because the evidence’s
meaning is not apparent on its own — not because contextualizing is “the
next step.” He needs to corroborate because his evidence is not, on its
own, sufficient to establish his interpretation. The practices become
meaningful because they are responses to problems in the inquiry.
This points to something larger than teaching historical thinking
skills. The educational project of historical thinking is, at its heart,
an invitation into an epistemology: the past is not the same thing as
history, and historical accounts are interpretations constructed from
evidence, not the past reproduced on the page. We want students to
understand not just the concepts historians use, but how those concepts
help historians construct and justify knowledge — to reveal the guiding
concepts, demonstrate them in use, and then pass the torch.
So is the solution simply to have students read more accounts of
historians doing history? Yes and no. Recent publications, like the KS3
Hachette resources, take a similar approach, telling students stories of
historians at work — and these accounts are genuinely valuable, giving
students unusually clear windows into how historical knowledge gets
constructed. But the larger implication is not that we need to assemble a
library of historian stories. Carlson’s story is simply a particularly
clear manifestation of a broader instructional principle:
That means looking again at our teaching practices, activities,
assignments, and discussions — not simply as opportunities to deliver
content or practise skills, but as opportunities to show students what
historical thinking looks like when someone is actually trying to figure
something out.
Let’s assume you have already given students a masterful introduction to
the foundational concepts of the Big Six, and carefully articulated the
key Evidence guideposts of questioning, sourcing, contextualization,
inferential reading, and corroboration. They understand that approaching
a primary source begins with sourcing it — asking questions about when
and why the source was created, and by whom (Seixas, 2013, p. 57). They
understand the importance of animating the context of a document: its
social, political, and economic milieu, and the historical perspectives
present at the time of its creation. And they understand the need to
corroborate sources, comparing multiple documents to reach plausible
conclusions about the past.
Amazing. Maybe you have even shared an example like the Carlson one
described above. Typically, we then unleash students to “do the work” of
historians. But not all tasks designed to replicate that work are
created equal — and not every historical activity creates the same
opportunity for students to think historically.
In Canada, many teachers are familiar with the Critical Thinking
Consortium’s “Read Around the Document” heuristic. It provides students
with a set of questions to consider when approaching a historical
source, directing their attention beyond what a document literally says
to questions about its creator, context, purpose, audience, and
significance. It belongs to a broader family of approaches that teachers
will recognize — OPVL, OPVLEGS, and other acronyms and graphic
organizers similarly provide students with a structure for approaching
historical evidence. These frameworks can be useful. They give students
a starting point and, importantly, help make aspects of historical
thinking explicit that might otherwise remain invisible.
I remember a particular conversation with a district instructional lead
who suggested that Read Around the Document could effectively serve as a
universal assessment: take a source related to whatever topic students
were studying, give them the organizer, and see what they could do with
it. The idea was appealing in its simplicity — the historical content
could change while the underlying assessment remained the same. But it
raised an important question for me: what, exactly, would we be learning
about a student’s historical thinking? If students can apply the same
questions to almost any source, we may learn that they can use the
organizer. We may learn considerably less about whether they can use
historical thinking to make sense of a problem.
That distinction is visible in Carlson’s investigation. He does not turn
to context because he has reached the “context” box. He turns to context
because the evidence has created a problem he cannot resolve without it.
He seeks corroboration because his emerging interpretation needs to be
tested. The historical problem gives the heuristic its
purpose. This does not mean abandoning these frameworks — it
means developing tasks and activities in which the thinking actually
matters. See how the ToThePast assessments try to capture
this →
Not every historical activity creates the same opportunity. These two
principles separate tasks that reveal thinking from tasks that only
reveal whether students followed instructions.
A task needs an actual intellectual problem, not merely a historical
topic paired with documents. Historical thinking becomes visible when
students encounter evidence that resists easy resolution — ambiguous,
incomplete, difficult to interpret, or in tension with other
evidence.
With a single source, a student can usually answer What does this
source tell us? With two conflicting sources, new problems
emerge: why do they differ, which is more convincing, what does each
let us see that the other does not. That is what makes the
heuristics intellectually meaningful:
Conflicting sources and interpretations generate richer reasoning
than a single, uncontested perspective (Iordanou et al.; Mierwald et
al.; Wiley & Voss).
Tension in the evidence only does its job if the task gives students
somewhere to put it. Tasks that require students to construct
knowledge elicit more sophisticated reasoning than tasks focused on
recall (Monte-Sano & De La Paz; van Drie & van Boxtel; Wiley
& Voss).
A DBQ works differently than most construction tasks. The goal is
not a coherent narrative in the way a conventional essay is — it is a
document that flagposts every step of the student’s reasoning,
closer to “showing your work” in math than to writing a typical
essay. An essay can hide its reasoning inside a smooth argument; a
DBQ, like a worked math solution, is structured to expose it.
A discussion reveals thinking when students respond to one another’s
interpretations rather than just stating their own. An annotation
reveals what students notice in a source and what questions they are
asking of it.
Different activities give access to different parts of students’
thinking. We need tasks that ask students to show more than the
final answer.
A well-designed task creates the conditions for historical thinking,
but it does not guarantee students know what that thinking looks like
in practice. Faced with a genuine intellectual problem, many students
will default to what they already know how to do: summarize, describe,
state a conclusion without showing how they got there.
This is not a failure of effort so much as a reflex. As Wineburg has
argued, historical thinking is in some sense an unnatural act — it
runs against the grain of how we ordinarily read. Our instinct is to
take a source at face value and move on. Reading skeptically, situating
a document in a world we do not inhabit, holding two conflicting
accounts in tension rather than resolving them — none of that comes
naturally. It has to be learned, and it has to be seen before it can
be done.
A teacher can explain what historians do without showing what
it looks like to actually do it — or the teacher can model it. The
difference is not subtle:
“When contextualizing a source, historians consider what was
happening at the time.” “This document says X. My first reaction is Y. But I’m hesitant
to draw that conclusion, because I know this was written in 1890,
when… I want to know whether this attitude was typical or
unusual. So I’m going to look for another source.”
The left column tells students a fact about contextualization. The
right column shows them what it feels like to need it. Something quite
different has happened in that second column: the teacher has made the
process of thinking visible. Students can see an experienced reader
encounter a problem, draw on contextual knowledge, recognize
uncertainty, pursue a question, and decide what to do next.
This is Carlson’s move, transplanted into the classroom. He did not
move smoothly from source to context to corroboration — he hit a wall,
felt the pull of a contradiction, and went looking for another
document. When a teacher does the same thing out loud, in front of
students, over a source they are all looking at together, the teacher
is not just teaching about historical thinking. The teacher is
doing it — and letting students watch.
The purpose is not to model perfect historical analysis. It is to
model what an experienced reader does when the answer is not
immediately apparent. Sometimes the most useful thing to model is
uncertainty itself:
These moments matter because they show students that historical
thinking is not the performance of a predetermined set of moves — it
is an attempt to make sense of evidence when the meaning is not
self-evident. The teacher does not have to be the master historian
standing before the apprentice, just a more experienced participant
inviting students into a practice that is not, in fact, natural to
anyone at first.
Modelling is only the beginning. If the goal is independent historical
thinkers, the cognitive work must gradually shift from teacher to
student — until students no longer need to see the thinking modelled,
because they can generate it themselves.
Teacher modelling is only one entry point into this. Project Zero’s
Making Thinking Visible work (Ritchhart, Church, & Morrison,
2011) makes a related, broader claim: thinking becomes more rigorous —
and more available for learning — when it is noticed, named, and
documented, regardless of whose thinking it is. A classroom built on this
idea does not rely on the teacher as the sole model; it relies on
routines that make thinking a normal, visible part of how the class
works.
What these routines share is that they do not ask students to perform a
historian’s vocabulary — they ask students to narrate a process, and the
vocabulary becomes a way of naming what students were already starting
to do. The noticing the teacher first demonstrated becomes something
students do for themselves, and for one another.
Carlson never set out to model anything. He was simply trying to answer
a real question, and the halting, backtracking shape of his research was
a byproduct of that honesty, not a technique he chose. That is precisely
what makes his work worth borrowing: it shows what the thinking looks
like when nobody is performing it for an audience.
None of this makes historical thinking easy, and it should not. The
apprentice does not become capable of thinking independently by being
told what a historian does — they become capable by watching the work
happen, attempting a version of it themselves, and gradually needing the
model less.
That is the teaching side of the problem: designing the tasks and doing
the modelling that give students real chances to think this way. But it
raises an obvious next question — once students’ thinking is actually
visible, how do we know what we are looking at? That is a separate
problem, with its own set of ideas, and it is where the
Assessment Triangle picks up.
See how we assess the thinking this page teaches toward — or go
straight to the assessments.
Show the thinking.
Then let students take it from there.
Teach the thinking,
not the checklist.
We cannot ask students to make historical thinking visible in their work
if we have never made it visible in front of them.
What historical thinking actually looks like
A small documentary trace
A contradiction
The world around the document
Testing the interpretation
Why this story belongs in the classroom
Two principles matter most.
Create intellectual tension.
Require students to show their reasoning.
Historical thinking is not natural. It has to be shown.
The goal is not imitation. It is independence.
What the model was always for
Where do you want to go next?
